Now that’s a party
posts like this just make me ABNORMALLY HAPPY
i-i-oh my god
(via one-millionpieces)
Now that’s a party
posts like this just make me ABNORMALLY HAPPY
i-i-oh my god
(via one-millionpieces)
This seems very Holden Caulfield. Just my thoughts since we’re reading Catcher.
(via breathingaether)
The scene is a mostly empty stage, lit from the back with the dull orange light of a streetlamp and city skyline shapes silhouetted. Here and there, little piles of ashes and newspaper scraps are scattered. Small fragments of charred, vaguely surreal objects are visible- an oversized ticket, a nun’s habit, a mannequin arm sticking out of the ashes. Enter The Sweeper, an older man wearing a top hat and a grey suit that appears to be singed at the edges. He carries a simple broom, and there is a ridiculous-looking feather duster tucked into one pants pocket. He takes to sweeping while humming in a low voice—a single repeating theme. The Sweeper glances around furtively to ensure he is alone and then begins to sing.
SWEEPER
Alone
Always on my own
In these wrecks of minds
In these dark forgotten streets
Here I wander
Here I walk
And I sweep
Alone
Always on my own.
He returns to sweeping, silently. Enter The Dreamer, a young girl clad in pajamas. She appears to be lost and a little frightened, but feigning courage, if only for her own benefit. She notices The Sweeper and runs to him, but trips on an object in a nearby ash heap and collapses on the ground behind him.
DREAMER
Oh, excuse me, sir
But where is this?
Where am I?
You see, I’m looking for my way
Back home
But I’m not really sure
Where my home is anymore
And I’m not really sure
What is real anymore
Who are you?
Who… are… you?
SWEEPER:
I am the sweeper,
The hidden gatekeeper
To the darkest recesses of the mind
When Hypnos descends
And you turn from day
Never to look behind.
For the things that you sowed
In the blackness of night
The worlds that you built
All shall fall
I will sweep
I will burn
Until naught but the ashes remain
So the good earth below
Shall return to its state
As a tabula rasa
A freshly cleaned slate
For the manic, the strange
The misformed, the deranged,
For the magic, the madness
That only the dreamer can know.
DREAMER:
Have you visited me?
SWEEPER:
A thousand times,
A thousand times,
Though you’d never
Have recalled I was there.
DREAMER:
Why not show your face?
SWEEPER:
When I must erase
All that ever went before
How then can you implore
That I show my visage
Though I seem a mirage
As I fade with the remnants
Of your dreams?
DREAMER:
I didn’t know-
I didn’t think-
And so I fear to even blink
That this may all
In a flash
Disappear from sight
That this world too
Shall vanish into blackest night
SWEEPER:
This is true.
DREAMER:
Tell me this
The abyss
With the break of day
Swiftly fades away
But you remain?
How can you remain?
I must know before I go,
How can you re-
SWEEPER:
Enough.
I return with the fall of night’s curtain
Over day’s fragile rays
For at least this much is certain
But I tell you this
That mystery remains,
That questions without answers
Are all about
Your head in the dead of night
But now is my farewell
To your shadow-tinged eyes
So awake then now to brightening skies.
There is much to be done
Ere the day has awoke
Till the stage is reset
Till the props are un-broke
Till the old dreams are burned
In the wake of the dawn
So farewell
Return home
With the toll of the bell
And begone.
He casts his hand upwards in a forceful gesture. With this, the scene swiftly changes. The outlines of buildings fold away in the background, while the ash piles are blown away by gusts of wind. The color of the lighting shifts rapidly, settling on a dark blue which grows lighter as the sequence progresses. Amidst the chaos, The Dreamer finds her way back to her bed, and by the time the light has settled she is curled up beneath the sheets. She wakes slowly to a rhythmically ringing alarm clock, and finds herself humming the last few notes of The Sweeper’s song to its beat, though she is helpless to explain why. Noticing the time, she hits the snooze button and pulls the sheets back over her head as the stage fades to black.
(Source: quantummindclassicalheart)
I don’t think it’s strange.
Words, really art in general, are the prime method by which we transcend the mind of the individual and escape the solitude of existence.
(via toseeyouleave)
Heh.
Obama cares.
Barack Obama wants to listen to all your problems and bring you tubs of ice cream and watch reruns of How I Met Your Mother and sit with you until the tears stop streaming down like a deluge of rainwater from a rusty old waterspout in the middle of the worst hurricane in years.
That’s how much Obama cares.
(Source: suddenlysencha, via hannahisawful)
(via etiquetteforagentleman)
Source: http://facts.randomhistory.com/interesting-facts-about-dreams.html
Credit: if-only-we-were-dreaming.tumblr.com
that just sounds so… sad
I’m writing a libretto to this idea. Well, specifically a short story by Neil Gaiman. Hopefully I’ll finish it on time.
Me, I’d like someone to do nothing with.
When the silences are comfortable rather than awkward, when we’re prepared to fight back the shadows with our swords of cardboard and shields of paper, when the dark ceases to be frightening because of the lights within our hearts….
That’s when I’ll know.
(Source: lovequotesrus)

submitted by: crazyshannonigans
I have a Spotify playlist specifically for all my past pieces, both ensemble and solo. Makes me happy.
(Source: tastefullyoffensive, via cheshgrin)